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History

"Little Tragedies" were founded in 1994 by the graduate of St. Petersburg Conservatory, composer Gennady Ilyin, in the city of Kursk. The band's first album which was called "Little tragedies-I" was focused on the genre of instrumental suite, variations, different combinations of classic, contemporary and rock music. It was more like improvisations without lyrics and vocals. The composer was interested in working with pure music. The XX-th century is characteristic of the continuity in music finding itself not in the quotations of melodies, harmonies, forms, but only in allusions. It may be just a polyfunctional chord, a short theme-symbol. Listening to and analyzing the music became more delicate and precise and at the same time deeper and more complicated.

Although first the band was a quartet, it was "Emerson, Lake and Palmer"-oriented with a reliance on the soloing keyboards. But it was not an imitation, it was just a hint at where "Little Tragedies" originally come from. In fact, it was quite a heavy art-rock with an improvisation accent. Analog instruments allowed Ilyin to develop and improve various ways of playing Moog-synths. Unfortunately, the group's first album was never recorded, and it exists only on an amateur videotape made from the group's only concert at that moment.

Since 1995 the band was a trio: Gennady Ilyin - keyboards;Yuri Skripkin - irreplaceable - drums; Oleg Babynin - bass. With such a line-up the group played till 2000.

After visiting Paris, which impressed the composer very much, Gennady Ilyin started working on his first "Paris Symphony".

What kind of music is it? As the composer says, every city, especially big cultural centers, have their own music. This was the music Ilyin heard in Paris. The focus of the symphony is the three-part opus "NAPOLEON" which in a way is the ordonnance pillar of this cycle. It is "NAPOLEON" that determines the structure and intonation of the other parts: "HOUSE OF INVALIDS", "NOTRE-DAME DE PARIS", "LUXEMBURG GARDEN", "ASPHODEL FIELDS", "MONMARTR".

The major theme is based on the tunes and allusions to the Catholic Easter worship service in the Notre-Dame Cathedral. It is true that "Little Tragedies" of that period very much remind of E.L.P.: a battery of keyboards - drums - bass; hard rhythm section support and soloing keyboards. More than once the group presented the symphony in music schools and concert halls. Although this symphony was recorded in a professional studio in Moscow it remained unrecognized.

1997 - the beginning of 1998. It took G. Ilyin a month to compose a fairytale ballet "Magic Shop" about a little girl's Christmas adventures. He practiced it with the band, and it was performed on the stage only two and a half years later.

In 1998-1999 G. Ilyin recorded his solo albums "The Sun of Spirit" and "Porcelain Pavilion" to the poems of N.Gumilev, and instrumental albums "Christmas Music" and "Passions For Titanic" at the "ART-TECHNOLOGY" studio in Moscow. "The Sun of the Spirit" and "Porcelain Pavilion" were released by the label "Boheme Music" in 2000 with the name "Little Tragedies" thanks to the great help of Igor Mikhel (guitar) and Evgeny Shchukin (sound engineer). At that period "Little Tragedies" were a project of an affinity group rather than musicians, that is why it was decided to keep the original name, as there was still a feeling of a band, though studio-like. There is a video clip left from those times featuring one of the most impressive songs of "Porcelain Pavilion" - "The Road" (The Way).


In summer 2000, Alexander Malakhovsky (guitar) and Aleksey Bildin (saxophone) joined the trio. With the full line-up the group worked on the last album of the trilogy to the poems of N. Gumilev - "Return" (the first were "The Sun of the Spirit" and "Porcelain Pavilion"). The band gave a few concerts with the music in Kursk, and in spring 2003 presented this project at "SKIF" - the international music festival in memory of Sergey Kurekhin - in St. Petersburg.

In September 2005 “Return“ was released by Musea Records (France), and in March 2006 the MALS label (Russia) re-issued it with a Russian booklet.

Since the end of 2003 Gennady Ilyin worked on the double album called “New Faust”. The first ‘draft’ material (5 hours of music) with the themes of Faust was composed in 1997-98. These were improvisations sketching the musical language of the future album. “New Faust” was not intended as an illustration of Goethe’s Faust. Here Faust is not only the character of a national drama who is conflicting with the society, he is a man of the universe seeking ways to cleanse his soul and acquire spirit.



To be continued...     





© 2008 Little Tragedies